INCIDENCE
In “Incidence” NEVERCREW work on relationships and on what’s within; on effects and conse-quences.
“Incidence” is about visible and invisible, true and contrived, in the connection between humankind and nature, with natural beings and with the territory, with the environment and with systems.
“Incidence” of something that could violently or imperceptibly affect the entire environment and our own nature; “Incidence” of light rays coming from the Sun that show us the truth, or coming from sources that can control the visual result; “incidence” of our gazes from our own points of view; “in¬cidence” of and on reality itself; “Incidence” as signs left in time, as simple attestation of life going on, or as warnings.
In these new series of artworks NEVERCREW reflect then on the importance of deeds, of the unders¬tanding of the position that each one have into its personal system and in the entire environment;
NEVERCREW / INCIDENCE / NEVERCREW
NEVERCREW's biography
PARIS
NEVERCREW (1996) - Framing machine n°2, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 70 x 50 cm
NEVERCREW (1996) - Propagating machine n°3, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 70 x 50 cm
NEVERCREW (1996) - Framing machine n°3, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 70 x 50 cm
NEVERCREW (1996) - Sensing machine n°4, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 50 x 70 cm
NEVERCREW (1996) - Sensing machine n°5, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 35 x 50 cm
NEVERCREW (1996) - Polarizing machine, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 35 x 50 cm
NEVERCREW (1996) - Sensing machine n°6, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 100 x 70 cm
NEVERCREW (1996) - Framing machine n°1, 2018 - Acrylics, spray paint and stencils on wood signed and dated on the back - 100 x 70 cm
NEVERCREW (1996) - Defined Killer Whale, 2018 - Resin, signed sculpture signed and dated below the bottom - 42 x 35 x 72 cm
NEVERCREW (1996) - Focusing machine, 2018 - Acrylics, spray paint and resin on wood signed and dated on the back - 10 x 70 x 50 cm
NEVERCREW (1996) - Killer Whale, 2018 - Resin, sculpture signed and numbered 1/50. All different copies - 10 x 10 x 25 cm
NEVERCREW (1996) - Killer Whale, 2018 - Resin, sculpture signed and numbered 2/50. All different copies - 10 x 10 x 25 cm
NEVERCREW (1996) - Killer Whale, 2018 - Resin, sculpture signed and numbered 3/50. All different copies - 10 x 10 x 25 cm
NEVERCREW (1996) - Killer Whale, 2018 - Resin, sculpture signed and numbered 4/50. All different copies - 10 x 10 x 25 cm
NEVERCREW (1996) - Killer Whale, 2018 - Resin, sculpture signed and numbered 5/50. All different copies - 10 x 10 x 25 cm
NEVERCREW (1996) - Compressed Killer Whale, 2018 - Resin and metal, sculpture signed and numbered 1/20. - All different copies - 22 x 20 x 13cm (120 cm base included)
NEVERCREW (1996) - Compressed Killer Whale, 2018 - Resin and metal, sculpture signed and numbered 3/20. - All different copies - 22 x 20 x 13cm (120 cm base included)
NEVERCREW (1996) - Defined Whale n.4, 2018 - Resin and metal, sculpture signed and numbered 10/30. All different copies - 7 x 15 x 6 cm (23cm base included)
NEVERCREW (1996) - Defined Whale n.4, 2018 - Resin and metal, sculpture signed and numbered 14/30. All different copies - 7 x 15 x 6 cm (23cm base included)
NEVERCREW (1996) - Defined Whale n.4, 2018 - Resin and metal, sculpture signed and numbered 17/30. All different copies - 7 x 15 x 6 cm (23cm base included)
NEVERCREW (1996) - Focused polar bear, 2018 - Acrylics and resin on wood, sculpture signed and numbered 1/20. All copies different - 10 x 30 x 30 cm
INCIDENCE
In “Incidence” NEVERCREW work on relationships and on what’s within; on effects and conse-quences.
“Incidence” is about visible and invisible, true and contrived, in the connection between humankind and nature, with natural beings and with the territory, with the environment and with systems.
“Incidence” of something that could violently or imperceptibly affect the entire environment and our own nature; “Incidence” of light rays coming from the Sun that show us the truth, or coming from sources that can control the visual result; “incidence” of our gazes from our own points of view; “in¬cidence” of and on reality itself; “Incidence” as signs left in time, as simple attestation of life going on, or as warnings.
In these new series of artworks NEVERCREW reflect then on the importance of deeds, of the unders¬tanding of the position that each one have into its personal system and in the entire environment;